Huck & Jim

An unhoused Missouri teenager and an undocumented Mauritanian migrant drift down the Mississippi River together on a makeshift raft in pursuit of freedom in this contemporary retelling of Mark Twain's "Adventures of Huckleberry Finn."

Director’s Statement

The initial idea for “Huck & Jim,” a contemporary retelling of Mark Twain's "Adventures of Huckleberry Finn," started to develop in early 2017 when I re-read Twain's classic novel.

As I was reading Huck’s account of his and Jim’s treacherous journey for freedom, I was also reading news reports about the present-day treacherous journeys for freedom being made by migrants and undocumented workers fearing deportation and other attacks in the US.

During the early part of 2017, there was a spike in the number of migrants and undocumented workers escaping the US by crossing the border "illegally" into Canada in order to claim asylum, with the largest numbers coming from African countries, from Ghana and other west African countries, and from Somalia and other countries in the Horn of Africa in the east.

Terrified of being deported to countries plagued by war and extreme poverty, many migrants made the dangerous trek by foot across the Canadian border in freezing temperatures, some of them losing fingers and toes to frostbite.

Tragically, a woman from Ghana, Mavis Otuteye, died of hypothermia less than a mile from the Canadian border in Minnesota.

Now in 2025, mass deportations are threatened by the incoming administration in the US. In cities like Cincinnati and Springfield, Ohio, immigrant populations originating from countries including Mauritania and Haiti are demonized with outrageous lies spread by the far right and promoted by the incoming administration.

And in December 2024, a lawmaker in Missouri, the state of Huck and Jim, proposed a bounty system for reporting and capturing migrants and undocumented workers, recalling the horrific bounty system that plagued Jim in Twain's novel.

"Huck & Jim" was made in a spirit of defiance against these appalling attacks, and against those who would seek to divide the modern-day Hucks and Jims.

In this context, Twain's immortal depiction of the comradeship between Huck and Jim takes on an increasingly subversive and urgently burning significance.

As the late Twain scholar Justin Kaplan pointed out, “Anyone who responds to Huckleberry Finn’s own conflicts of conscience at heart will never again be able to accept as moral absolutes the conventional wisdom of a particular time and place.”

Director’s Bio

I have been making movies since I got my first video camera at age 13. Naturally, the stars of my first movies were my friends and my immediate family in Chicago, as well as my extended Cuban family in Miami, Florida and Santa Clara, Cuba.

I first fell in love with cinema at four years old when I had to be dragged out of the Milwaukee Public Museum's "nickelodeon" exhibit showing Charlie Chaplin's "The Immigrant" on a loop. I couldn't get enough, and on the way to the car, I mastered Chaplin's distinctive walk.

I studied film at Santa Monica College, and English literature at the University of Illinois at Chicago. Now I teach filmmaking to middle school kids in the Movie Club I founded at the Chicago public school where I work as a paraprofessional.

Frank Tovar

Written for the screen and

Directed by

FRANK TOVAR

Based on Adventures of Huckleberry Finn by

MARK TWAIN

Starring

BRODY BEHR as Huck Finn

and

WILL WAMBA as Jimal Suleman

With

LUCY ZUKAITIS as Miss Watson

Director of Photography 

STEPHEN WESTER

Production Designer

ANIA BISTA

Editor

OSCAR A. ROSAS

Assistant Director 

DAVID M. HAIGHT

Music Composed and Performed by

JULIO SERGIO AYALA GUTIÉRREZ

and

YÑAQUI ALEXIS ROSAS HERNÁNDEZ

Produced by 

OSCAR A. ROSAS

FRANK TOVAR

and

STEPHEN WESTER

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